Jose Yisa Chilean, b. 1984

Overview

He has developed a career marked by reflection on power, identity, territory, and migration. His work has shown a commitment to social critique and the analysis of power dynamics, using art as a tool to generate awareness and dialogue around key issues in contemporary society.

José Yisa is a visual artist with a degree in Visual Arts from the Universidad Finis Térrae (2005) and holds a master’s degree in Urban Design, Art, City, and Society from the Universitat de Barcelona (2016-2018).

 

His work has been exhibited in prominent national and international spaces, with solo shows in Chile, Spain, Germany, and other countries. Some of his most notable exhibitions include “Incidencias/ Das Kapital Kunst” (2023), “Proyecto DKK” (2022), and “EVIDENCIA” (2019). Throughout his career, he has received various grants and awards, including the National Fund for Culture and the Arts of Chile (2020) and a nomination for the EFG Latin America Art Award (2021). He has also been an artist-in-residence at renowned creative centers such as La Escocesa in Barcelona and Glogauair in Berlin. Additionally, he has had a distinguished academic career, serving as a professor at universities in Chile and participating in seminars on public art and critical thinking. His work has been published in various magazines and catalogs, and he has written several articles, including his book “Art in the Public Space of Chile as Genesis of Historical Memory” (2019).

 

José currently lives and works in Mexico.

Works
Statement

My work develops an investigation and production that relates forms of power and control with ideas such as identity, territory or migration, exploring how these relations of friction and force have the capacity to define affective, social and political constructions on both an intimate and economic level, showing themselves as anthropological representations of a social system currently under definition.  Symbolically speaking, I seek through the artistic field to give origin and weight to a chain between acts, forms, signs and images, reconfiguring this chain in a visual production that accounts for the latent processes of the particular themes addressed by each investigation. Thus developing pieces that present a social vein linked to the economic systems and the relations between them, analysing the flaws, the precariousness and the fragile balance of power existing in labour relations and the hierarchical imposition of powers of domination in the framework of neo-colonial capitalism and the normalised hegemonic impositions.